The art request must have been written with me in mind: a forest, at night, roots, interconnected tree limbs, animals, stars, fireflies, and a small group of figures admiring it all.
The three options.
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The refined thumbnail. B.
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I liked C. a lot because I would have gotten to do more trees but B. ended up being the best choice because I’d get to do larger, more involved figures (and trees) which is ultimately my favorite thing to do. I love organic shapes and human (or human-like) figures.
So this was approved and I moved on to making all the elements. Working along the lines of the Zune commercial meant working (mostly) all digitally and I started to put together the pieces.
I liked C. a lot because I would have gotten to do more trees but B. ended up being the best choice because I’d get to do larger, more involved figures (and trees) which is ultimately my favorite thing to do. I love organic shapes and human (or human-like) figures.
So this was approved and I moved on to making all the elements. Working along the lines of the Zune commercial meant working (mostly) all digitally and I started to put together the pieces.
Next I began making all of the elements. Keeping in mind the textured, digital silhouette style that the client wanted.
